Tag: 2022

  • Bari 2022

    Bari 2022

    The 3 days in Bari — 5 years after the last edi­tion in 2017 — was a com­plex, rich, unfor­get­table edi­tion.

    The 3 days in Bari — 5 years after the last edi­tion in 2017 — was a com­plex, rich, unfor­get­table edi­tion. Med­imex brought the atten­tion of the Itali­an music industry back to Bari, expressed pos­i­tions, ideas and notes played in the Itali­an debate on the show and the phase it is facing.

    The meet­ings with Truppi, Woody Wood­man­sey, Shablo, Vener­us, Ran­core and Diod­ato hos­ted in the enchant­ing Kur­saal San­talu­cia Theat­er and with Denis O’Regan, at the Mar­gher­ita Theatre, accom­pan­ied the fest­iv­al audi­ence, enter­tained, pas­sion­ate and sur­prised them.

    And then the con­certs, those of the Apuli­ans in Torre Quetta, Rad­ic­anto, Nidi D’Arac, Folk­atom­ic, Après la Classe, Rachele Andri­oli, Gio­vanni Angelini, Fabio Accardi & Fab­Crew, Sen­tinelle, Gaia Gen­tile, Red Room, Mr. Bricks, Marco Cas­sanel­li and Deck­ard and finally the Eng­lish The Chem­ic­al Broth­ers. The pure spec­tacle.

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    After Taranto, the Med­imex jour­ney ended per­fectly, in Bari, lead­ing us to redis­cov­er a city, a fest­iv­al, an audi­ence, gen­er­ous, involved, vital.

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  • Taranto 2022

    Taranto 2022

    The four days in Taranto were a dry and power­ful edi­tion, com­par­able to the first stage of a space launch.

    The four days in Taranto were a dry and power­ful edi­tion, com­par­able to the first stage of a space launch. Mean­while, Med­imex con­tin­ues its ascent to reach Bari, in July, from the 13th to the 15th. The gen­er­os­ity of the guest artists has touched peaks of true com­mu­nion with Nick Cave and his The Bad Seeds, in a united and quiv­er­ing Rotonda, a lawn of 14 thou­sand exult­ant hands.

    The same gen­er­os­ity shown with grace by Mar­gher­ita Car­ducci or Diton­el­lapiaga, by Fil­ippo Grazi­ani and Fed­erico Pog­gi­pollini, who gave them­selves to the pub­lic that crowded the Fusco Theat­er — at dif­fer­ent times — in per­form­ances without reser­va­tions; that of Tom­maso Col­li­va and Enrico Gab­ri­elli with their new pro­ject ded­ic­ated to the Maes­tro, Ennio Mor­ricone, in the meet­ing where Michele Riondino also par­ti­cip­ated. The lively intel­li­gence, the desire to be heard of the founder of Hip­gnos­is Stu­dio, Aubrey Pow­ell, who talked about his works – Hip­gnos­is Stu­dio: Pink Floyd and Bey­ond – on dis­play at MArTA.

    And finally the enorm­ous and very pop­u­lar Carlo Mas­sar­ini who spoke once again and always in new words about the enorm­ous Pink Floyd. And always to them, to Pink Floyd, Taranto over­look­ing the para­pet of Corso Due Mari and sit­ting at the tables of the bars and res­taur­ants, enjoyed a power­ful audi­ovisu­al trib­ute pro­jec­ted on the walls of the Aragonese Castle which became a screen and black­board for the occa­sion.

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    A sta­di­um, that of Taranto, which has been per­fectly con­cluded and which will allow the Med­imex cap­sule to reach Bari — with new pro­fes­sion­al, train­ing and live events — after a 5‑year jour­ney — do you remem­ber Iggy Pop? – in the oth­er Apuli­an com­munit­ies.

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